1. I still have your number on my phone. One day I accidentally called it and I heard that familiar voice again. So I left a message: Let’s start over.
    — 

    Tony Leung on Leslie Cheung

    (Source: ghostsgotyourback)

     


  2. Am I in love? — Yes, since I’m waiting.” The other never waits. Sometimes I want to play the part of the one who doesn’t wait; I try to busy myself elsewhere, to arrive late; but I always lose at this game: whatever I do, I find myself there, with nothing to do, punctual, even ahead of time. The lover’s fatal identity is precisely this: “I am the one who waits.
    — 

    Roland Barthes, A Lover’s Discourse (via bookmania)

    Waiting for waiting. Always waiting.

    (via deja-dit)

     

  3. Through the storm.

     

  4. I wish my friends Able and Julia Parris the best of luck this week, as they are each in final preparations for individual solo shows at the Beard Arts Center at Indiana Wesleyan University, in Marion, Indiana.

    Both shows run April 4–30.

    (via eightypence)

     

  5. colchrishadfield:

    Like the sand came crashing over the shore of rock.

    Amazing.

     

  6. cacomixl:

    Holy crap, anyone else notice the Kentile Sign tonight? Lit up — looks amazing!

     

  7. jonathangreen:

    Very Deleuzian. Smooth vs strata 

    kateoplis:

    Admiral Richard Byrd’s “Little America III” station, built in Antarctic in 1940, was spotted by a Navy icebreaker sticking out of the side of this floating iceberg in the Antarctic’s Ross Sea, on March 13, 1963. The old outpost was buried beneath 25 feet of snow, 300 miles away from its original location. A helicopter pilot flew in close and reported cans and supplies still stacked neatly on shelves.

    50 Years Ago: The World in 1963 | In Focus

    (via waveandbirch)

     


  8. One thing that happens, for example, is you start a painting, and you try to get it right. You say this edge is here, and then, no, it’s not, it’s further over here. And, the color isn’t quite that color. And slowly, bit-by-bit, your painting begins to get a little turgid, a little drab, and painstaking looking, and that’s not what you want. You want it to be lively! You want the surface to be lively, to somehow give the feeling of life, without being life. You give a little fleck to your brushstroke. You want it to dance off the surface. And you see that even in someone very realistic like Vermeer. You get close to Vermeer, and you see that it’s quite abstract.
     

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  10. Cool Hunting Video: Dieter Rams’ Principles of Good Design